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Showing posts with label Dundee. Show all posts
Showing posts with label Dundee. Show all posts

Thursday, 13 February 2020

Dangerous Destiny - Cover Reveal



The wait is almost over. Dangerous Destiny is with my editor and I'm hoping to get it published before too many moons have passed.

This book is part of a new suffragette mystery series and I've set it in Dundee, Scotland, in 1908. The story involves three women, a seasoned suffragette, a working-class girl escaping her abusive father, and a young girl breaking free from her controlling family. They join forces to find a killer who is targeting suffragettes. So, the book is a mix of murder mystery and rites of passage as the two younger girls choose a different destiny for themselves.

Well, what do you think? Do you like it? I'm quite chuffed with it. I think my cover creator has done a good job and now all I need is for my editor to complete her work and get the manuscript back to me. Then it will be all systems go.

Watch this space!

Chris Longmuir

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Sunday, 4 February 2018

Is the World ready for Death of a Doxy? The great launch is today

Hang out the flags, summon the marching band, and bring on the dancing girls – Death of a Doxy has been unleashed on an unsuspecting world. It’s taken a year of hard graft but book launch day has finally arrived and to celebrate its arrival I’m offering an introductory bargain price on the Kindle eBook for the first few days. But it ends on Friday 9 February so if you want a bargain you’d better be quick.


 Death of a Doxy is set in Dundee, Scotland, in 1919, and features Kirsty Campbell, Dundee's first policewoman. In this book, which is the third in the series, Kirsty is investigating the murder of Lily, one of the girls in Big Aggie's house of pleasure. As the only policewoman in Dundee, Kirsty struggles to be accepted and she is keen to prove herself by cracking the case.

Not for the first time, Kirsty disagrees with her senior officer, DI Jamie Brewster. He is convinced Big Aggie killed Lily, but Kirsty believes the case to be more complicated than it appears on the surface and embarks on her own investigation.

To find the killer, she must unravel Lily's secrets and the deeper she delves into Lily's past, the more secrets she uncovers. But it is only when her own life is in danger that she learns others hide secrets too and will do anything to prevent exposure.

It is a tortuous trail where Kirsty faces danger before the mystery is solved.



Read the first chapter here:

Death of a Doxy

Chapter 1
Splotches of blood combined with other stains created a grim kaleidoscope of colour on the faded blue mattress.

He had meant to save her, not kill her. But her depravity overwhelmed him when she mocked him and laughed in his face.

Bile burned his throat and he leaned over the box sink in front of the window waiting for the pain to pass. Outside, footsteps on the landing caused him to draw back and he slid into a shadowy corner of the room, his hand tightening on the poker which he still clutched. When the sound disappeared he returned to the sink, turned the tap, bent over, and swilled water around his mouth. The burning sensation faded. He closed his eyes and leaned his head on the cool glass of the window in the vain hope the scene behind him would disappear and everything would be the same as when he entered the room less than half an hour ago.

An image of her flashed through his mind. Innocent blue eyes; now so knowing. Hair, golden as daffodils on a spring morning, streaming behind her in the breeze; now dull and lank. Skin, translucent in the sunshine; now caked in thick face paint.

Where had that innocent young girl gone?

He opened his eyes and turned to survey the room. A dingy place containing nothing more than a rickety wardrobe, a bed, one chair, and a table holding a guttering oil lamp. The last embers of a fire glowed in the black grate of the fireplace which spilled ash over the floor. And on the mantelpiece, a candle dripped wax into a saucer.

But the thing that held his eyes more than anything else was the body which sprawled on the mattress before him, beaten and bloodied, and no longer recognizable as the girl he remembered. His hand loosened on the poker which clattered onto the wooden floorboards to lie in a widening pool of blood.

Unaware he had been holding his breath, it now whispered out from between his lips, and the anger that consumed him was replaced by exhilaration rushing through his body, reviving him, exciting him.

He had saved her, although not in the way he intended. He could see now. This way was better. It was the only way to eradicate the depraved life she led. But he couldn’t leave her like this, with her clothing in disarray. No, that wouldn’t do. He would make her respectable, lay her out before her body stiffened, and arrange her dress to provide her with a modesty she hadn’t experienced for a long time.

Her limbs moved easily under his tender hands. He rolled her onto her back and straightened her legs, smoothing the dress over them. Next, he crossed her hands over her chest and arranged her blood-soaked hair over her shoulders.

Pleased with his work he carried the poker to the sink and rinsed her blood from it. Then, taking one last look at the scene in front of him, he left the room, closing and locking the door behind him.

At the bottom of the stairs, he sidled around the final corner and hurried across the backlands behind the tenement. This was an area of grass, weeds and rubbish which serviced the tenements that bordered it. The place where the tenants kept their bins and hung their washing on ropes to dry. He slipped through a close at the other side of this waste ground, opposite the building he’d left, and emerged onto the street. After taking a circuitous route and keeping to side streets he eventually reached Magdalen Green. From there it was a short walk to where the River Tay flowed to meet the North Sea. With one last look around to make sure no one observed him, he raised his arm and threw the poker into the water.

He smiled to himself as he walked homeward. His job was done.



Chris Longmuir







Monday, 16 November 2015

SUFFRAGETTE



High on my list of films to see is Suffragette, a movie that has been lauded and criticised for its depiction of women’s struggle to obtain the vote in the late eighteenth and early twentieth century. It is set in a period just before the First World War and focuses on the militant activities of the WSPU (Women’s Social and Political Union) in Britain.

Britain at this time was a class ridden society, and although some members of the WSPU were working class women, the majority came from the middle and upper classes, particularly those who followed Emmeline Pankhurst and her daughter Christabel.



Sylvia Pankhurst
Emmeline’s daughter, Sylvia Pankhurst who, unlike her mother and sisters, had a strong attachment to the Labour party, and was particularly close to Keir Hardie was the one who brought the suffragette struggle to the working classes. She disagreed with Christabel’s tactic of turning the WSPU towards upper and middle-class women, and due to her disagreements about the way the WSPU was conducting the struggle for votes, she broke away from them and set up the East London Federation of Suffragettes (ELFS). This organisation was more democratic with a greater focus on working women and even included men.

It must be remembered that the WSPU were not the only organisation fighting for women’s suffrage. The Women’s Freedom League (WFL), was also a militant organisation, but their militancy was non-violent. The WFL was formulated in 1907 by WSPU members who had become disenchanted with the WSPU due to the autocratic leadership of the Pankhursts, and the violent path on which they were embarking.

The film has attracted criticism and has been accused of having racist overtones, but it has to be remembered that in order to have a degree of accuracy, the historical attitudes of the time have to be replicated to provide a degree of authenticity. And Britain was a racial and class-ridden society at this time in history. Much of the criticism revolves round the wearing of tee-shirts with the slogan “I’d rather be a rebel than a slave” which is actually a direct quote from a speech Emmeline Pankhurst gave in 1913. And Emmeline’s politics did veer to the hard right by this time, although earlier in her life she’d had socialist leanings. It is possible this slogan will not have the same adverse effect in Britain as it does in America, where slavery is a large part of their history. We could argue all day as to whether the producers of the film should have been more sensitive to this aspect, or whether they were right to portray historical accuracy, and at the end I doubt if there would be agreement. On the other hand, perhaps I am being cynical in thinking this is a publicity stunt which had the desired effect of stirring up controversy.

I have no view on whether the producers were right or wrong, all I know is I want to see the film.

Chris Longmuir


NB: My historical crime novel set in 1919 features Dundee’s first policewoman who was a suffragette prior to the start of the First World War.




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Friday, 28 February 2014

The Death Game


Form an orderly queue (line if you’re in the US), and no pushing in the back of the room, there’s plenty to go round.

Yes, the long wait is over and The Death Game has arrived. Okay, it’s only the ebook that’s available at the moment. You’ll have to wait until June for the paperback.

I mentioned in my last blog post that this book is different from my others. I’m branching out in a new direction, but I hope my faithful readers will like what I’ve done.

The main character in this book is Kirsty Campbell. Originally from Dundee, she left home ten years before the start of this novel and has been estranged from her family. And a lot has happened since then.

Kirsty was a a suffragette up until the start of the Great War. However, the suffragette movement relinquished their militant stance at the start of the war, and instead became involved in setting up a voluntary women’s police service (I have included a historical end note in The Death Game, to provide information on this). Kirsty Campbell was one of the first recruits.

Kirsty returns to Dundee in 1919, to become the city’s first policewoman, and you can imagine how she is received in the all male Dundee force. The only other policewoman in Scotland is based in Glasgow (historical fact), so there’s no support for her from that quarter.

On her return to Dundee, Kirsty becomes involved in a murder investigation, which her senior officer tries to keep her away from. But Kirsty is made of sterner stuff and is soon up to her eyes in the investigation, which I describe in the book’s blurb as a deadly game of sacrifice and death.

And that’s all I’m going to tell you for the time being. If you want to buy the book, you’ll find it here;



But if you want to borrow it, or sneak a peek at someone else’s copy, I don’t mind. I just want you to enjoy it. Oh, and before I go, if you do like it and want to do me a favour, a wee review on Amazon would be greatly appreciated. It doesn’t have to be much, just a couple of lines to say why you liked it, and I’ll be happy.

Chris Longmuir








Saturday, 23 November 2013

Bloody Scotland on Tour

Bloody Scotland Panel - Val McDermid, Professor Sue Black (forensic anthropologist), and Stuart MacBride

Just in case you’re wondering, it’s Scottish Book Week, and Bloody Scotland is going on tour. If you don’t know what Bloody Scotland is, then it’s time you did. You see, Bloody Scotland is a crime festival that is held in Stirling every September. It’s been going for two years now, and was the brain child of Alex Gray and Lin Anderson, both of them well-known and best-selling crime authors. After thinking up the original idea of holding a crime festival in Scotland they were joined by crime authors, agents and promoters to form a committee to take the idea forward. The result was the highly successful Bloody Scotland.

Readers and writers travel from all corners of the globe to attend the festival and the tickets have been a sell out for both of the years it has been held. If you are thinking of coming along in 2014, I’d advise you book early. And if you do attend then you’re in for a treat because all the big names are there to entertain you. This year we numbered Lee Child, Jo Nesbo, and Christopher Brookmyre. Regular supporters of the festival include Ian Rankin, Val McDermid, and Stuart MacBride. There are many more, most of them well known crime authors, and the majority of them best-sellers.

Well, that’s enough about what Bloody Scotland is, and if you want to know more pop onto the website and check it out. Here is the link.

So, this year, for the first time, Bloody Scotland is going on tour. Here is the link for the tour programme. There are loads of treats at all sorts of venues, and a lot of best-selling crime authors appearing. Check the programme for details. But the thing I really wanted to share with you is that I will be part of a panel of authors appearing at the Steps Theatre in Dundee, on Monday 25th November, from 7pm to 8.30pm. The panel members will be Gillian Galbraith, Chris Longmuir (me), Gordon Brown, and Will Jordan. It’s going to be a great evening, so if you’re anywhere near Dundee on Monday why don’t you pop along to the Steps Theatre and join us in, what I hope will be, a lively session.


 Chris Longmuir








Thursday, 10 October 2013

Murder Capital of Scotland

Dundee Police Headquarters

Last week’s Dundee Courier and Advertiser, the newspaper for the whole of the Tayside region, displayed a provocative headline – Dundee is Murder Capital of Scotland.

That was some statement. But as the writer of the Dundee Crime Series, it certainly divorces me from comparisons with Midsomer Murders. Not that my books were ever like this because my writing is considerably darker than the popular cosy crime series. However, when a writer chooses a specific town in which to set their murders, the body count is liable to go up.

So, what makes Dundee the murder capital of Scotland. Well, it’s nothing to do with the body count, and it’s all to do with statistics.

Apparently, between 2012 - 2013, there were 62 homicides in Scotland. Now, a prolific crime writer can easily manage to beat that figure in the area they write about. I’m sure Midsomer Murders’ body count is higher than that over the space of one series.

Of those 62 homicides, six occurred in Dundee – great word that ‘occurred’, it really doesn’t do justice to the bloodthirsty nature of the crimes. Six doesn’t seem a lot to warrant giving Dundee the title of ‘murder capital’, but here’s where statistics come into play. It’s all to do with population, you see. The lower the population the higher the percentage.

So, let’s compare it with Glasgow where there were 19 murders over the same period. Surely this should have made Glasgow, Scotland’s murder capital. Glasgow, however, has a far higher population than Dundee, so the 19 murders only equated to 3.19 murders per 100,000 people. Can you have .19 of a murder? And what happened to the other .81? Ah well such things are beyond me. Anyway, to get back to the point. Dundee’s measly six murders equated to 4.05 per 100,000 people. There’s those pesky numbers below the decimal point again. Ah, well, I’m not going to worry about that this time.

Funnily enough, both Edinburgh and Aberdeen only had two murders each. Ian Rankin’s going to be out of a job. But me, as long as I keep setting my books in Dundee, Scotland’s murder capital, I can’t go wrong.


Check out the Dundee Crime series when you have a minute, because there are more murders in my writing territory than there are in Ian Rankin’s.

Chris Longmuir